Wednesday, January 22, 2014



Bible from Ethiopia

As a self-proclaimed “bibliophile” and lover of all things historical, this activity was especially exciting for me. To be sure, the books of the past took great care to draw the reader in and create a lasting image on their hearts and minds. After viewing the Bible from Ethiopia, Lisbon Hebrew Bible, Baybars' Qur'an, and the 15th-century church book, it is evident that books just aren’t made like they used to be. Having always viewed books with the mind of a reader and historian, I can easily say that assessing books from a design perspective was a completely new experience altogether. My initial thought regarding this activity was this: “How can an ancient text possibly adhere to principles that had not been created yet?” How wrong I was! Each of the texts I viewed showed clear evidence of the understanding of the C.R.A.P. principles. I was especially drawn to the Bible from Ethiopia. Along with being a simply beautiful book, it employs each of the four design principles: Contrast, Repetition, Alignment, and Proximity.
Contrast:
The Ethiopian Bible’s understanding of the principle of Contrast was one of the main reasons for my choosing to analyze this text. It features bright, bold colors that is both eye-catching and aesthetically pleasing. Intense blues, greens, yellows, oranges, and reds set against the white background effectively tell the intended story. There also various contrasting shapes found throughout the text, namely circles, squares, and crosses. These contrasting shapes help are designed to enhance the message being conveyed in the text. Also, while the text uses black lettering, there are splashes of red and blue writing throughout, creating contrast and drawing the reader’s attention to a specific section. The dark lettering over the white background allows the reader to easily see/read the text.
Repetition:  
The use of repetition is key to the telling of the story in the Bible from Ethiopia. Certain colors (red, blue, yellow, green, and orange) are repeated throughout the images in the text. Even without the being able to read the language, the repetition of this color palette creates a story by itself. There are also several images/pictures that repeat in the Bible from Ethiopia. Images of birds are a constant on the pages, clearly serving as an important symbol to this culture. Next, the text uses repeated borders for the images and text, making the book more uniform. The reader can likewise see a repetition of a yellow, halo-like circle surrounding the heads of people in the images. The text also uses repetition in red, blue and black lettering throughout the book. On several pages, there is a repetition of a cross image. Also, the reader can see the repeated use of the knotted curtain among the images in this book.
Alignment:
The alignment within the book was the most surprising to me. I thought this principle would be the hardest to find; however, the writer clearly had a strong understanding of eye’s need to find uniformity in alignment. Whether the writing was in one or two columns, the text is evenly distributed between the margins, creating alignment on the left and right sides of the text. Likewise, when the text is separated into two columns, they are perfectly aligned across the top and bottom of the page. Similarly, the red text within two columns of writing is equally aligned to the red text on the other side. Also, when there are two images located on side-by-side pages, those are both centered and aligned to the partner image. Interestingly, the reader can also see amazing alignment within the images themselves. For example, the feet of the people of often exactly uniform and aligned to one another.
Proximity:
As I cannot read the text to determine the story being convey, proximity among the images is key to understanding what is happening in the text. Within the images, certain individuals are located in close proximity to others, denoting important relationships among the people. For example, it is easy to determine the three wise men and Jesus’s disciples due to their close proximity to one another. Proximity is also evident when examining the picture and their captions. Without understanding the language, we are able to see that there is a description about the image nearby.